Curator and critic Sarah Lewis has emerged as a cultural powerhouse for her fresh perspectives on the dialogue between culture, history, and identity. In 2010, she co-curated the groundbreaking SITE Santa Fe biennial, a platform celebrating artists melding the “homespun and the high-tech.” She has served on Obama’s National Arts Policy Committee, and as a curatorial advisor for Brooklyn’s high-profile Barclays Center.
Her debut book The Rise analyzes the idea of failure, focusing on case studies that reveal how setbacks can become a tool enabling us to master our destinies. As she says: "The creative process is actually how we fashion our lives and follow other pursuits. Failure is not something that might be helpful; it actually is the process." — Art21.org.
“Sarah Lewis is applying her turbocharged intellect to bridging the gap between art and social policy.” — Vogue, May 2010
Behold, your recap of TED-related news: Print your own pharmaceutical factory. As part of an ongoing quest to make pharmaceuticals easier to manufacture, chemist Lee Cronin and his team at the University of Glasgow have designed a way to 3D-print a portable “factory” for the complicated and multi-step chemical reactions needed to create useful drugs. […]
Continue readingWhat is one goal you wish you could accomplish? Chances are, you have no problem naming it, so what holds you back from achieving it?
Continue readingArt historian Sarah Lewis’s first job was at the Museum of Modern Art. While there, she was entranced by an exhibit of works by the artist Elizabeth Murray. So Lewis was intrigued to hear from the painter that she felt several pieces hanging on the walls fell short. For one piece, Murray confessed that she’d found […]
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